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The Tarot Tarts

    • About The Tarts
    • Tarot at the Table: Draws and Readings
  • Deck Review: The Prisma Vision Tarot

    December 30th, 2025

    The Prisma Visions Tarot 6th Indie edition, acquired 2021. No fake phone-rainbows here, the sun came out the only day this month to bless my photo of the deck and then effed right on off again.

    Overall: 9/10  I won’t lie, I had to grow into this deck to come to love it as much as I do now. When I first bought it, it was very much a mystery to me, so if you’re not interested in learning a deck, this one might best be skipped. I perhaps did myself a favor and waited until I had several other decks comfortably under my belt and a tentative understanding of the RWS before I acquired the Prisma Visions, but even then it took some serious study to get a handle on this Tarot.

    This is the deck that exemplifies the guy in any anime high school drama everyone secretly wants to date even though he’s super popular and very smart and yet somehow also the “quiet” introspective one. We all know that it’s impossible for all these things to be true at the same time, and yet here we all are with this deck. Because I only live under a rock half of the time, I know that this deck is quite divisive and it often falls into the “love it or hate it” category, but even those who dislike this deck have taken the time to watch a flip through just to make sure it wasn’t for them. You cannot help but be intrigued by this deck, it’s just so candid and charming while still being dark and mysterious. This deck exudes sensuality without being lewd, or even sexual for that matter. Is it the art style that somehow leaps off the cards? Is it the strange imagery chosen for the cards? It’s playful, it’s serious, it’s fun and quirky, it is not at all afraid to call you on your shit. It’s romantic. It will wink at you. I think of it as the masculine counter to my Shadowscapes deck.

    Some of my favorite takes on the cards.

    I WILL say, that even though it isn’t apparent by looking at the cards in a flip through (or at least wasn’t to me), there is a quiet, unsettling darkness to this deck (hello magician manipulating a little person in his hands!), so be prepared for that if you’re only looking for a fluffy, pretty surrealist/impressionist deck.

    The pipish wands

    This isn’t a deck I reach for often, but it is a great reader for complex and serious subjects. At first, I had to work through the pipish quality of some of the minors (the wands were particularly a struggle for me). It also has some pretty grand deviations from the comfort of the RWS system (the Fool is a pelican, and one that isn’t being particularly foolish), but I enjoy immensely the big book that was offered with the 6th edition printing. It is a dual book for the Prisma Visions and it’s younger brother the Cosma Visions. It’s arguably one of my best books about Tarot I own in general. However, unless you’re familiar with the cards, it can feel like such a slog to do a reading given this deck wanders from traditional structure and imagery. And then at some, undefined point it all clicked into place for me. This deck reads unlike any other I have in my collection.    

    Card Quality: 4/5 So. There isn’t anything to complain about at all. Top notch quality, fine matte finish, flexible but still thick enough to be sturdy, and the silver edging has held up to years of use. There is slight, intentional deviation with the printing color on the backs to make the deck look a bit more unique and eye catching, not that the gazing eye on the backs needed anything additional. BUT! I do have a gripe; as part of my pre-order, I purchased a set of the 79th extra cards that had come before in past printings so they’d match this printing cardstock, and, well, they’re slightly longer and wider than the deck! It drives me bonkers. They are technically not “part” of the deck, but I still use them, and I feel them and see them and…urgh.

    Whyyyyyyyy???

    While the deck does come with the LLW, the big book is where its at!

    Readability: 3/5 This is solidly an intermediate readers’ deck. The images and symbols are not always congruous with the RWS system, and I honestly would still be on the struggle bus if I did not have The Book of Prisma Visions. The Big Black Book that you must buy separately is a wonderful treat in and of itself with excellent in-depth meanings and musings. It’s also written really well and presented with perfection, so there’s that. But don’t expect to be able to use this deck and whisk through a spread. It will take time and a rather steep learning curve for sure. It has an internal system with delightful nuances, but they can be subtle and appear rather unexpectedly. For that reason, I personally would not feel safe using this deck to read for others. I will say, I tend to get pretty strong emotional ideas from most of the art found in this deck, so if you’re really good at rolling with vibes only, perhaps you can pick up this deck and run with it.

    One of my struggles with this deck and reading it was getting used to the idea of the court cards being much more “elemental” aspects of people or myself. Now that I spent a month doing daily study of the Marseille structure, this makes much more sense to me, but at the time I picked this deck up, I had trouble with the courts, especially the Cups and Wands as they are portrayed as very ethereal characters that seem almost out of control.

    The paneled story of the Pentacles suit. Typically the Pentacles are the least interesting suit to me personally, except I LOVE the Pentacles in this deck! I love the seasonality of them but also they really do feel grounded in comparison to the other suits.

    Art: 10/5 I mean, it’s absolutely stellar and unique. Even if you don’t like it, I think a person would be hard pressed to say this is somehow “bad” art. I feel in the past few years there have been a few decks that try to do something similar in flavor, but none have come close to this masterpiece. The minors tell a paneled story from card to card when lined up. It’s brilliant. This deck definitely has a really strong masculine presence, much like The True Black Tarot, but it is way more open and friendly.

    Favorite Card: The Knight of Pentacles. There is something that really strikes a chord with me with this idea of riding the “unicorn,” bareback and unbridled, slow and steady. You cannot rush nor control the direction of your dreams. I also like that the knight is riding fully armored without shoes! Also, pumpkin sized strawberries for the win.

    Least Favorite Card: I The Magician, but not because I think that it’s inherently a poorly executed image! I’ll admit, it took me nearly a year of owning this deck before I noticed the little person in the palm of the Magician’s hand. I understand this is supposed to represent ones ability to master their own subconscious (and for some of us, they could stand to master their consciousness as well), but as a person who has experienced manipulative abuse…I really don’t like this Magician. It certainly makes me think of the Magician’s dark side.

    Card I Identify As: I don’t particularly identify strongly with a particular card.

    The deck Identifies me as: III The Empress

    Boxes it Checks: Nontraditional, Beautiful, Story Telling, Masculine, Romantic, Cohesive, Surreal, Impressionist

    Similar Decks: The Light Visions Tarot, The Cosma Visions Oracle, The True Black Tarot, The Lost Forest Tarot (by Chelsea Santamaria), The Literary Tarot (got a similar color theme), assortment of AI created decks

    Season: Beltane/Mid-Spring, but I can see this being a bitter winter’s deck too with the dark themes and the stunning snowy sword suit.

  • 2025 Best Decks in Review

    December 25th, 2025

    Typically I will find a yearly deck over-view someone on TarotTube posts and I’ll follow along for fun. But this holiday break, I felt compelled to make my own list of what I thought were some of the best decks I used this year. Note: these weren’t all decks published this year, some were from 2024 or even earlier, they are just the decks that I used and was impressed with! Some of my years “best” were return favorites that shined in new way. Let me share:

    1. Deck That Stole My Heart: The Lighthouse in Fog

    This very quirky deck, which I believe is from a Taiwanese artist(s?) and encompasses five different styles (one for each suit and one for the majors) was a complete spur of the moment purchase for me and I’ve been absolutely obsessed with it since. It’s an odd shape, and odd texture, the images while RWS are incredibly unique and it feels like the whole deck paints a story I wish I knew more about. If any of y’all know more about the origins of this deck, please share! The images are incredibly thought provoking and this deck has such a adventurous and completely unpredictable personality that it’s impossible to ever have a boring draw.

    2. Best Deck for Inner Child Work: Forest Spirit Imprint

    If you follow my monthly draws you’ll know I waxed on and on about this sweet deck early in 2025, the Forest Spirit Imprints. Colorful and innocent yet not without its scenes of struggles, really made me tap into some of those moments of make-believe and wonder I had as a little girl. Reminiscent of Arrietty the Borrower, this deck where our MC is a small person exploring the vast world feels so on point for how a great Tarot deck ought to make a querant feel. I’m not a person who seeks out “cute” decks, but this year really delivered, and this deck in particular I feel accomplished the security a deck requires when working on the inner child but also does not feel overly saccharine nor completely neutered of darker themes. If I ever find myself reading for a younger querant, I’d likely pick this deck.

    3. The Dark Horse Deck: The Exile Tarots

    It took me nearly a year before I picked up and used in earnest the Exile Tarots, Silent and Awaken. At first blush they did not seem to come close to the artist’s other deck I am a huge fan of (the Monsoon Tarot), but once I started using these decks side-by-side, something really clicked into place. These decks use nearly the same artwork for each card except there are slight yet profound changes in the images that have a tendency to completely rewrite the card’s narrative, all while sticking true to the RWS. These decks (especially the Silent) are not afraid to go really dark. It seems all the more shocking when the characters appear to be very cute and soft. While one could use these decks separately, I find when I want to use them I combine them and see what happens. It’s a very different way for me to think of Tarot.

    4. Best Interpretation of the RWS: Animal & Food Tarot Card

    This deck IS totally saccharine sweet and it’s perfect for it’s content! Every time I draw a card from this deck I’m so impressed how the artist really understands the RWS and can make such a wonderfully complex deck about animal confectioners, patissiers, and chocolatiers. Delightful and always bringing a smile, this deck is clever, tongue-in-cheek, and so gosh darn cute, it is the only deck I’ve purchased as a gift for a family member. This is one of those decks that arguably does the RWS better than the RWS. Burn me at the stake.

    5. Most Anticipated: The Children of Ostara

    It took me a very long time to warm up to Xia Hunt’s Children of Litha, but I’d been waiting and waiting for her follow up deck Ostara to arrive from the Kickstarter campaign! My Tarot friend was so kind to let me use her copy that came earlier and I really clicked with the botanical witchy deck! Colorful, vibrant and an excellent, well thought out card narrative, this is a deck that I will certainly find something new each time I use it. The Kickstarter campaign reward options were just out of this world, and it was worth the wait. It is a deck I cannot wait for spring to break out again! I might need to cheat and give myself a little floral dopamine hit this winter.

    6. Unexpected Acquisition: The Tarot of the Silicon Dawn

    In the TarotTube people say they have “Unicorn Decks” or a deck that they feel is like a unicorn—rare, difficult to get, beautiful, magical. The Silicon Dawn is one of my “Unicorn” decks. It is so strange and evasive to me that even though I’ve used it as a monthly deck, I think it’s going to need a whole month in the future dedicated to deep diving it as it feels like there is much I can learn from this deck. But in the mean while, I can admire it for it’s strangeness and beauty.

    7. Old Standby: The Tarot of the Golden Wheel

    It’s funny how older decks return to you in new ways. I kept finding myself reaching for the Golden Wheel this year, a deck that is much beloved but not necessarily a deck I’d consider myself particularly familiar with. This year I gave away my only copy of an actual RWS deck seeing as I never used it and was no longer using it as a reference, but I found myself in the exploration of Thoth and Marseille looking for a comparison deck and while the Golden Wheel isn’t a RWS clone by any means, I really felt drawn to how it portrays the cards. In a monthly deck it provided some key cards that really captured my emotions in the moment (ah-hem, the Six of Swords). AND now that I have a new Tarot student in my life, I find myself taking this deck out a lot for them as a reference deck. It’s fun to use it to teach!

    8. The One that Came Back: Slavic Legends Tarot

    I’m not typically a Tarot collector that likes to have multiple copies of a deck. However, there are a few notable exceptions; when the different copies are drastically different, or in an odd instance when I have a truly collectors deck and I want a separate one that I can abuse. The latter is the case I found with the gorgeous Slavic Legends. I really wanted an easily shuffle-able, more manageable sized variation to bring around with me and share with others. So when my friend told me she was ordering from Taroteca Studios, I happily jumped on to that ship to combine shipping cost. In a way, this deck allowed me to rediscover the greatness that it the Slavic Legends because now its more accessible to my daily use.

    9. The Teaching Deck: Terra Volatile

    Most years when thinking about Tarot and the work I did with the cards, I typically think back on the deck that taught me the most in that year. Without question, that deck this year is the absolutely massive Terra Volatile, and its humongous companion book. I have not felt so small and lost in the sauce of Tarot since I first started getting serious about learning it ten years ago. It has been an elation each time I pull a card because I know that the images are going to show me something I have not yet seen, and the corresponding written companion text will deliver for every card. This book, which I’m slowly making my way through, may be the third BIG tarot companion book that I read cover to cover.

    10: The Eerily Accurate Reader: The Whisper of the Stars and Garden

    I’d say, about once a year, maybe less, I stumble upon a deck that just delivers a scary accurate reading every time I do a draw, and it doesn’t matter the subject or the querant. It gets to be just uncanny after 20 or so draws with the deck, that one starts to develop a suspicion when one takes it out. Some times the deck is beautiful, and, well, sometimes its rather humble. I can never tell when such a deck comes into my life until I pick it up and use it. This deck is down right gorgeous and has been completely on point every time that its hard to put it on the shelf to work with others.

    How about you, dear reader? What decks really amazed you this year in 2025?

  • December 2025 Decks

    December 15th, 2025

    Only Fans Pips

    My Tarot sister from a different mister finally convinced me to dedicate a whole month to making a second attempt at learning the Tarot Marseille system, and pip decks in general. I’ve snagged a bit of theory and structure while watching her as she reads her pip cards. I’ve used my monthly decks at least once in the past attempting to learn pip cards, but this month I’ve actually been dedicated to the cause, journaling daily, asking myself the numerical progress of the cards, using the Tarot more like a Lenormand with looking carefully at the pairings, directionality, order, etc. I still don’t really know what I’m doing, but I’m giving it a go, so thanks for putting up with me on the Marseille struggle bus!

    I picked decks closest to traditional Marseille style this month because I don’t have an actual Marseille deck, but being that they’re not exactly Marseille style decks, I’m kinda making it up as I go. Firstly my very cute and ultra lux Tarot Minchiate replica deck (from Amparo Aguirre Cortés) it totally different with the triumph/major cards, but it’s pips are pretty simple and traditional. My SwordsWoman Tarot is pretty close to a Marseille, but of course the majors and court cards have famous swordswoman featured. The Mythical Creatures Tarot from Baba Studio is a Maresille/RWS hybrid so that feels a bit more comfortable to me and the book is a wealth of information so that’s helpful. Then, I finally worked up the gumption to use my Sefirot Tarot deck, probably the closest to an actual Marseille deck I have, but a Kickstarter I was really disappointed in. Now I’ve been using this deck almost daily it has admittedly really grown on me. And, rather than an oracle, I have been itching to use my Gothic Literature Tarot this late fall, and seeing as it is pipish, I figured it could make the lineup this month. Though it uses the RWS system, it has a big mood that makes up for the sometimes plain feel of the pip cards. Alright, onward to this train wreck!

    Oftda! Well, my favorite card in The Gothic Literature Tarot is the Death card exemplified by Eric, the Phantom of the Opera. Eric easily has the most interesting character arc in that story, and he has a metaphorical death (and perhaps actual death?) that allows him to grow his empathy and as a person when he learns what it is to actually love (its to let go, and put the other persons wishes ahead of his own). Well, it may be my favorite card, but I don’t like starting off my monthly draw like that.

    From the Minchattie, I drew the Five of Batons and the Nine of Coins. I had the joy of a short road trip to see family early this month that allowed me time to reflect on what I think of the Tarot suits meanings, and the numerical and court meanings as a structure to start thinking about Marseille. I’ve begun thinking of the fives as the cards of upheavals, putting your early lessons from the suit to the test. With the passions and actions of the wands, I see the upheaval being chaos and roadblocks preventing me from going forward but demanding growth. Nines on the other hand I’m envisioning as the “fruits” of the suit, the internal satisfaction, the consequences of the suit. The Nine of Coins speaks to the physical material world, so the Nine of Coins is the satiation of my worldly needs, but perhaps also coming to completion in my work projects. So the Five of Wands combined with the Nine of Coins I read as “no pain no gain”, or perhaps more reasonably, the struggle is worth the effort. In this Minchatte deck I see the coins have people on them; perhaps my direct influence extends beyond my immediate circle. Other’s share my struggles and successes.

    From the SwordsWoman Tarot I drew the Eight of Coins and the Page of Cups. I’ve been exploring the eights as the structure of the 4’s but having the skills to break past that structure and be innovative. Eights for me so far are the numbers of taking initiative. With the Coins, I feel this is needing to do the hard work to level up to mastery, very similar to the RWS with the idea of refining a skill. Then the very surprising Page of Cups. Pages to me are the “apprentices” of the suit, new to the concepts of the suit and being in a student position, willing and eager but inexperienced and prone to mistakes. Cups to me are a suit of interpersonal relations and managing emotions. This seems pretty clear I’m in need of honing my interpersonal skills (ain’t that the truth), which starts to pair well with Eric’s hard story of personal growth (urgh).

    Oh boy, then we get to the Mythic Creatures Tarot. I pulled The Tower and the Nine of Swords. I feel like almost anyone reading this knows that the Tower is not a nice card to see, and if there’s any doubt about it’s meaning, the Kraken consuming the ship does a better job than my words can describe. Nines, again, I see as the fruits of the suit, the thing that manifests as a consequence of the suit to the querent. With the Nine of Swords that’s actually coming to harm, not just the imagined harm that is seen in the RWS Nine of Swords. Here we see the butterfly hopelessly facing the Kraken to the left. There is a huge upheaval outside of my control and I’m not escaping it unscathed. Eek.

    And we finish with the beautiful and simplistic Sefirot. I pulled the rather sever Empress and the Five of Swords. We’re starting with five and ending with five with the “oracle” theme being death. Dang. The Empress to me is creative authority, motherly-ness, feminine strength, natures’ power. Fives, again, I read as the upheaval of the structure and stagnation of the fours. The middle double edge sword is literally breaking through four single edge swords, offering a new way of making and using a sword. It’s point is red hot and dangerous! The Empress’s nurturing power is the key to my breakthrough, bringing those more holistic and emotionally connected ideas into the suit of the mind and intellect, and we’re coming in hot!

    Again, ooft, this is going to be a tough month. Together I see this month reaching some critical ending point which will transform me as a person–perhaps there’s something that is ending (one can always have hopeful wishes, of course) which creates pain but opens the door for growth. I share my struggles and successes with my community and it’s apparent I need to refine my people-skills. There is a devastating upheaval we will all feel and we need to meet it with firm, careful loving touch to overcome this challenge and break the mold.

    Wow. Well, I hope the cards have given you a more gentle end of year reading! Be well and safe, dear readers.

  • November 2025 Decks

    November 25th, 2025

    From 10 o’clock, clockwise, Shining Stars Tarot, The Citadel Oracle (combined with The Deck of Emblems), The Endless Tarot, Medieval Europe Tarot, the Aisling tarot

    This month my bestie and I needed some much needed escapism in our free time, so we decided to do another monthly decks based on a D&D party. For those of you who haven’t been here for a while, this is a hilarious game we play where we roll a dice to determine what kind of characters are in our “party” and then we pick tarot decks that exemplify that character. This month we rolled a Rogue, Barbarian, Wizard, Sorcerer, and a Fighter. We have a huge draw that is a “quest” for the party that usually takes several hours to complete, but I’ll save that draw for another day. Here’s my monthly draw and I’ll explain my choices as we go:

    I kept getting double jumpers from the Endless Tarot and the Shining Stars no matter how many times I reshuffled, so I kept the two for each and it turned this into quite the full feeling monthly reading!

    I wanted to use the Citadel Oracle mixed with the accompanying Deck of Emblems for my rogue character. It seems very rogue-like that the deck knows the “city” inside and out, and knows each character’s role and doesn’t try to justify morally the roles each plays. From this deck I drew The Merchant–you have things to offer, you need to weigh the cost this is to you to make a fair trade. You may also unexpectedly have something that others want or need that you’re not even aware of. Make sure you value your self and your time. Make sure that when you are giving, you are getting something of equal value in return. Be careful of time wasters who don’t value your worth.

    I was torn about which deck to use as a fighter. In comparison to the barbarian I imagine a fighter being well trained, disciplined, professional and able to take a birds-eye view of a situation, and a little lonely. The Endless Tarot really fit this bill! For the first half of the month I was (surprisingly as I adore all of Maille’s decks) having a tough time with this deck and the large swaths of black edges, but I’ve finally warmed up to it! The Endless gave me the 10 of Pentacles and a special extra card, The Story. Together this reads to me as sharing my ancestral stories, my communities’ stories. With the merchant, it makes me think of rewriting the narrative to properly reflect real people’s experiences, or maybe crafting a story as part of a trade.

    I’m so glad that the Shining Stars Tarot turned out as cool as the Kickstarter made it look! I don’t have a picture here, but it has sparkly purple edging and the soft touch card stock is just to die for! This deck bases all of it’s images off of mythical figures or figures of legends, real or made up. This became my wizard in my party as it requires some prior knowledge of these legends or otherwise requires legwork on my end! We have Hermes in the Eight of Wands with rapid motion and movement. Then we also were given the Seven of Swords with Robin Hood, having taken seven swords from the wealthy manor also moving rapidly! Lots of action it seems. Perhaps I’ll be attending to righting some systemic wrong. Hmm.

    The Aisling tarot has been completely enchanting to me this month. As the sister deck of She Is Wilderness tarot, I finally bit the bullet and purchased Aisling, which I’d looked at several times since it was published last year. It is definitely a very quirky deck indeed from it’s odd shape to very interesting takes on the Marseilles system. It has a witchy, lolita-esque vibe that is very different from anything in my collection. This is the deck I chose for the Sorcerer because of its witchy-oddness that is very charming. I drew from the deck its classic take on the Fool. Our fool is very confident! She goes forth head held high on her new adventure, and we wonder if she sees the edge! There is much to look forward to, but also know there is present danger.

    Then from my rough and tumble and much beloved Medieval Europe Tarot—which, due to its graphic imagery, is playing the role of the barbarian this month—out came a surprisingly passive Knight of Wands. This knight, while fully dressed and ready for battle, is instead passively waiting, courage at the ready, peaceful scepter held high, and head in the clouds, imagining outcomes. This, from a deck that is all about impulse and barbaric action, really is out of key with what I’d expect from a Knight of Wands (typically the most impulsive card in a RWS deck!). With the accompaniment of the fool, I read these two together as “go forth courageously, but stay action, be prepared and measured instead.” I also think it’s interesting we see the scepter in both Hermes 8 of Wands and this Knight. Robin Hood’s swords are also held downward and not in a way that will be used to harm another.

    So, taken together, I have a role to play in shaping the story of my family and community, giving what I have of value to others and receiving in return. I will need to be prepared to take swift action to right a wrong that require courage and an open heart, but also peaceful passiveness. Very interesting! Tell me, how was your November in the cards?

  • Deck Review: The Enchanted Tarot aka The Zerner/Farber Tarot

    October 28th, 2025

    25th Anniversary Edition (large deck) acquired 2020. Zerner/Farber edition (small deck) acquired 2024

    *Mild nudity warning

    Overall: 7/10 There was a while in 2020 when I really was keen to started branching out into learning other Tarot decks, when The Enchanted Tarot was one of the best-known collage-style decks on the market and it was hella difficult to get a hold of a copy. Now it seems that there are multiple printings available, so you don’t have to fight over a used copy or pay way too much for a new OOP. The art is photos of absolutely stunning handmade tapestries the artist created for each individual card. That alone makes this a contender for me to consider this deck a “must have” in my collection, never mind it is thirty-some years old at this point and I think has truly made a niche for itself in the Tarot art community. If you were to ask me to list off ten “classic” decks that have been made in my life time, this one would certainly come to mind.

    That being said, even though I’ve been using this deck steadily for five years, and in well over a hundred readings at this point, I still feel like I’m warming up to it. I have split feelings about The Enchanted. There are some days this deck feels truly magical and gives really on-point readings with its clever and creative imagery. And there are other days it just feels busy, fussy and lacking depth. Unfortunately, it’s not just a deck which I’m in the mood for or not (as many of my decks are) seeing as it has given great readings when I only reluctantly pick it up out of a sense of obligation, and has great readings when I’m purposefully using it as well, and it also gives shit readings when the feeling seems to strike it. I dislike talking about my decks as if they have a sense of agency seeing as I don’t really believe that, but if a deck did have a mind of its own, it would be this deck.

    You can see while even the minor and court cards feel “busy” with textures and images, the majors really go overboard including borders that sometimes are cut short in the smaller Zerner/Farber edition which either is a relief because it feels overly-busy, or annoys me to no end as I can see there’s more that is missing.

    The book differs with each of these two versions I have, and both are fantastic and excellent Tarot literature in general and worth the read even if you don’t pick up the deck very often as they are incredibly insightful and even give dreams/meditations/actions to do for each card that are great exercises in themselves. In this way, the deck offers a rather different approach to working with Tarot and I’m here for it, even if I don’t necessarily have the energy to expend on such activities when I pick up this deck to do a reading.

    While I prefer the in-hand feel of the Zerner/Farber (right) I do really really love the backs of the 25th Anniversary edition. They are nearly the same thickness though the Zerner/Farber given it’s smaller than standard size feels stiff in hand.

    Card Quality: 2/5 for the 25th Anniversary or 4/5 for the Zerner-Farber.

    The 25th anniversary cards are MASSIVE, and there is a huge nonsense border. As such, they are made quite flexible and can, if you’re determined, be shuffled, but they are not as durable as I typically like my cards to be. There seems to be a slight texture to the backs, so they’re not slippery; honestly I love slippery cards, but if these giant bad boys were slippery they’d be flying everywhere. I like the large images on these cards as you can see the small details better, but the oversized borders on an already large deck ruins it for me.

    The almost mini size of the Zerner-Farber makes them more manageable, and the cardstock is quite a bit stiffer and they sport a matte gold edging that is really nice in hand. Overall they are the better quality card, but I do wish they were a larger size minus the dumb borders of the jumbo 25th. It would be nice in the future if they’d consider a lux print run with a black-cored center. I’ll never be happy with this deck, I think. 

    A random draw I pulled for this review. Lets look at the Queen of Hearts (Cups). Is she petulant, saucy, concerned, brazen, or even ignoring what is to her right, rolling her eyes? I wonder if she is sporting a black eye or if she’s done thicker eye makeup on her left side. Is she not as she seems, or two sided? This deck leaves much ambiguity in its images and is not for the reader who wants a straight answer.

    Readability: 3.5/5 I’d consider this an intermediate, edging to advance deck with an asterisks*—I found personally I really needed to have some significant Tarot reading under my belt to get the full benefit of these cards. But I shall acknowledge that there is a whole generation of Tarot readers who had this as their first, or an early deck in their Tarot journey and while these stick to the RWS model (more or less, the court cards and the odd-card-out seem a wee bit Thoth inspired), these are not clean-cut meaning cards and there are times I need the book to help me along. Perhaps part of the problem is I tend to lean more analytical and Jungian in my readings rather that tapping into an emotional state, but this deck for me is hard to wrap my head around some days.

    I love the ingenuity of the Aces in this deck, but I find them the hardest to read.

    There’s a lot of interpretation and imagination that goes into each image and they tend to tell their own story and the images seem to morph in meaning for each individual reading. While this really keeps me on my toes every time I pick it off the shelf, due to its consistent inconsistencies, I like the idea of using this deck to read for others as it is very beautiful, but I dislike how I am unsure of its performance. I’d say if you are drawn to the images and are ready for a challenge in a deck, this will give it to you.

    The book(s) is(are) great fun, with lots of extra information, waxing poetics, dream work, and manifestation magic, but you’re going to have to listen in to your inner intuition to make a smooth reading at the end of the day. I personally have gotten great readings, quite cheeky and flirty actually, but it takes some skill on the reader’s part. I think that this deck loans itself particularly well for readings about relationships (friends, lovers, family, enemies, etc.), and I personally consider this a Shahrizad-esque deck in that it evokes images of old-as-time stories with a bit of a satirical twist.

    The 25th Anniversary Edition has the full images and imo slightly better image quality. The borders are distracting at best, but I see the thought process of not wanting the titles overlaying the image. The cards also have a slightly waxy finish that causes glare, as you can see.

    Art: 5/5 I typically don’t care for collage decks, but I’ll make an exception for The Enchanted Tarot. I am particularly drawn to the Art Nouveau/Orientalist style a lot of these cards have. The fabrics in the tapestries really make these feel rich, layered and just sumptuous. I know a few years back The Textured Tarot was having a moment, but to be perfectly honest I feel this deck has a lot more texture to the images, and it reminds me that one day I’d love to have an actual fabric Tarot deck in some shape or form. I have a bit of a love/hate relationship with the fact that the images are of people all over the historic spectrum and I struggle to have a mental “place” where I feel the setting of this deck occurs. In this sense The Ink Witch Tarot is very reminiscent of The Enchanted Tarot, but I feel there is a lot more story to each image with the Enchanted/Z.F. which becomes a blessing and a curse in readings.

    Favorite Card: The High Priestess

    Least Favorite Card: I don’t have a card I dislike in this deck

    Card I Identify As: Queen of Hearts (Cups) I love how every time I read her it’s different.

    The deck Identifies me as: The Princess of Cups (? I don’t know why, I almost never relate to the Page of Cups)

    Season: Valentines Day, Late Winter to Early Spring, also, the sultry days of Summer

    Boxes it Checks: Collage, Textured, Fabric, Sumptuous, Story Telling, Romantic, Flirty, Cheeky, Art Nouveau, Orientalist

    Similar Decks: Tarot of Mystical Moments, Moon Child Tarot, Star Child, The Textured Tarot, any deck that uses mixed media, The Ink Witch Tarot

  • October 2025 Decks

    October 28th, 2025

    Hello Folks! I tell myself this lie each year, that now it’s October and peak spooky season, and it’s (supposedly) going to be cooler and rainy (ha) that I will suddenly have “more time” in which to be retrospective and a homebody and broody. This never. Effing. Happens. Needless to say my more “fun” to-dos get pushed back. I also am really overdue for posting a deck review—any decks y’all have been really wanting a review on that you’ve seen me use? That’s assuming that I’ve had it in rotation enough times to give a fair review.

    Still, sticking with a Halloween theme, I wanted to focus on using decks that exemplified the concept of the “dark feminine” or otherwise, non-traditional takes on the feminine aspect. The choices for this theme are a little self explanatory in that they focus on mostly female presenting figures who are more witchy/outside regular expectations for women. Except for the Nameless One Tarot, which is the most exemplary example of a dark feminine vibe deck without any figures (except some great skeletons). Lets get on with the draw!

    Quite the drastically different backs! Clockwise from noon: The European Goddesses and Spirits Oracle Deck, Discovering Beauty Tarot, The Nameless One, Blood Moon Tarot. Center She’s Wilderness Tarot

    The European Goddesses and Spirits Oracle is a deck that I typically wouldn’t add to my collection but I really was enchanted with how the artwork mirrors many of the traditional tarot cards. Sol, the Norse/Germanic goddess of victory, hope, healing and vitality is perhaps the closest to the traditional tarot card of the same name. I love how we have the white horses which make me think of freedom, and the sun flowers possibly the most joyful flower, and the sun (of course), all traditional images of happiness and joy, but we have a wizened, lovely lady. The book that accompanies this deck is positively excellent, but let me focus on what really grabbed my attention and I’ve been thinking about all month, which is the concept of hope. There’s hope which you know will happen, like the sun will come up tomorrow, but then there’s this hope rooted in a deep sort of inner faith, like hope for a better future, even when it seems like there is no chance of that happening any time soon. Hope, unlike wishful thinking, is an active practice.

    Y’all, The Blood Moon Tarot is coming out mass market. I have the second edition printing, but I preorded the MM for BORDERLESS GOODNESS! This deck is one of my soul decks for sure. The Blood Moon is definitely an OG in my tarot collection, but it’s rare I share it with the world at large as I find this a very visceral and personal deck, but I couldn’t pass up adding it into this month’s dark feminine theme! From the Blood Moon I drew the bold Page of Wands. This person is clearly off on and adventure and isn’t pausing one bit while they grow their delicious golden chanterelles! You’ve got momentum, you don’t have everything figured out, but you can figure it out on the way! Don’t be afraid to pause every once and a while and see what comes from those moments of down time–things grow in the breaks and silence. Also, get out there and forage some mushrooms!

    She’s Wilderness Tarot was a deck I didn’t back on Kickstarter and regretted (same with the next deck, it’s been a weird year, okay?). I’ll start with the glaring negative of this deck which is it lacks age, shape, race, and a plethora of other diversities which was why I did not back it during it’s campaign. Now, it does do some really interesting things though which is why in the end I purchased it despite this lack. This deck is strange as it takes pretty typical RWS ideas and framework and really gives it a twist. At face value it seems like a very “women in the wild” feeling, with bright happy warm colors and expressive figures, but it provides some very different interpretations of the cards. Here with strength, which I typically think of as taming the animalistic inner self, we see a woman offering a little cat like dragon a drink. With the amphora and the cup I think of the traditional temperance card. I also see the opium poppy buds, a potent medicine that can be used for good or evil, and a DRAGON (of reasonable size), which makes me think of hoarding, emotional fiery outbursts, and mythical thinking. It is reminiscent of the phrase “having tea with your demons” which speaks to being mindful of your negative emotions, and seeking to have self compassion to understand them rather than reacting with shame.

    Discovering Beauty Tarot was a deck I backed as I love Japanese Notan art (which is the inspiration for the art style) and then chickened out of and ended up buying for more after the KS ended (as one does). This is definitely one of those scary decks for me that hits a little too close to home. As a person who is more comfortable being a little removed from her emotions, I am not one to be drawn to imagery that demands embodiment, as this deck does. But when I saw my bestie using the deck (and using it myself) I realized this is a deck that will help me grow, not only emotionally by demanding I take a long look inward, but also in reading Tarot. While it uses a loose RWS structure, it is highly self-examining. When I see this IV of Water (Cups) I think of the song “Unwritten” by Natasha Bedingfield, which says “Feel the rain on your skin, No one else can feel it for you, Only you can let it in.” This card calls me to let my feelings wash over me. Instead of a traditional Strength card which is taming those feelings, I need to accept them and truly feel them. My experience is unique and valid even if it isn’t necessarily a feeling I want to have.

    These three cards together make me think that this month I must be present in myself, my body, my mind, and my emotions. There isn’t a demand to change or repress, but to experience. There’s a strong sense of bodily feeling and connection between the body and emotions and self-acceptance.

    And we end our draw with the very alchemical feeling Two of Cups from The Nameless One. Immediately with the two snakes it makes me think of the caduceus staff of Hermes with the two entwined snakes, speaking of travel, commerce, and negotiation. Our two cups seem to represent life and the growing, and death and the wilting. With October being a turning point of fall into winter and with many cultures observing and honoring various days of the dead, this seems rather on point. We have two king cobras meeting and entwining, deadly creatures that are staying their bite to meet in unison. It makes me think of what from my past is here to help me now? What must I make friends with? Where can I find new love in my life? Seeing as it comes under the interesting strength card, it again seems to ask how can I make peace with my inner struggles. Such a cool card, one of my favorites in this deck.

    Taking the whole reading together, I see October as a month where I learn how to foster hope by leaning into my self, feeling the feels, and integrating the old with the new. Though I tend to think of October as a month of harvest and the fields going fallow for winter, these cards speak of inner growth!

    How has your October been? What decks are you using this month?

  • September 2025 Decks

    September 3rd, 2025

    Ah! September is the beginning of Spooky Season for me! I was having a bit of late summer lull and was drawing a blank on a theme for this month when my Tarot partner had a brilliant idea: Lightness and Darkness or Joyful and Somber. Balanced decks that exemplify a positive view and are more happy-go-lucky, and serious contemplative decks that are dense and “deep” readers. Interesting! This is the perfect back to school theme. I have done black and white deck themes before, light and shadow of the self as well, but this is more specific to the way the deck tends to read. I love this juxtaposition because it is asking for overall well-rounded decks.

    I’ve used all of these decks rather extensively with the exception of the new Verdance Tarot, the second Tarot child from Stephanie Pui-Mun Law who made my beloved Shadowscapes Tarot. Verdance is just a gorgeous deck with great cardstock, and while there are similarities with the Shadowscapes, it definitely has a much lighter feeling to it. I’m looking forward to really getting to know it this month! While it is an “animal” deck, it also has plenty of humans and fae AND it is rather watery with it’s colors so it feels plenty summery as we enter the first balmy days of September.

    My True Black Tarot seemingly needs no introduction on this blog. If I had to choose a somber and serious deck out of all my decks this one would always take the prize. It is certainly not a mean deck (unlike The Lubanko or The Corrupted Tarot which definitely have some…sharpness to them), but it takes itself seriously.

    Tarot of the Golden Wheel is like that friend who can always see the silver lining, no matter what the situation! And, despite using it for many years it still gives me pleasant surprises. While it isn’t a “fluffy” deck, it always remains bright and intriguing.

    The Terra Volatile has been my deck love this year. After just adoring the large collectors edition I broke down and purchased the regular edition when they ran their most recent printing run. I also sprung for the VERY large companion book. This deck is really deep. While the cards are classic RWS/Thoth/Marseilles, the images bring more questions than answers at times. This is a complex deck for sure that makes you stop in your tracks. And think.

    One of my biggest struggles with Oracle decks in general is I dislike lack of balance in the content. The Seed and Sickle is an incredibly neutral feeling deck, where the cards can have positive, negative, and neutral readings. I take issue with the two separate books, but because I love the idea and the art I get over it (mostly) and use both in a reading.

    Lets get on with the reading!

    A very interesting blend of backs.

    We open with thoughts of Spring! My monthly oracle card is lucky number 7, with the Cherry (and cuckoo). The cherry tree is one of the earliest blooming trees and often is romantically associated with spring, but it’s blossom period is very short lived. This can speak to a new period of activity, a short window of opportunity, a fleeting happiness or renewal of happiness, and springing forth on a new endeavor. There apparently is a myth that the cuckoo will continue to sing until it has thrice eaten its fill of cherry blossoms. This myth makes me think of self care, enjoying the moment (carpe diem), being an early actor, and using the situation to your benefit. Okay! Nice way to start the draw.

    From the Verdance I drew the 7 of Cups, which in the guide book is titled “The Illusionist.” It acknowledges the imaginative power of inspiration but asks us to “discern wishful thinking from reality.” Opening with the very dream-like cherry, I see this as abstract ideas taking root. Grounding ideas that have only prior been in the mind. There is some work that has to be done to decide which ideas are most viable. Everything looks very pretty and nice in theory but in actual practice can fall short. I also notice the dragonfly, which to me is a powerful symbol of transcendence. I must not only look at which “lotuses” have strong roots but I must also view the bigger picture from above, removed from my self. Interesting.

    This is paired with the Terra Volatile’s traditional Empress. She looks very regal but incredibly exhausted! She has the trappings of a classic Tarot Empress, the throne, the wheat, lush vegetation and with that the unbridled, almost primal creativity and ability to birth something new into the world. Paired with the Seven of Cups I see her as having the courage to choose a path of action amidst many choices and having the faith to mother that concept because you believe in it. But, as seen with the flaming pierced heart on her shield, there is heartache in creation, and the pain of letting other ideas go. There is definitely something that I’ve been thinking about I’m going to take action on!

    The Golden Wheel’s Six of Swords may be by favorite portrayal of this card out of all my Tarot decks. I’d actually have never drawn this card from this deck until this monthly reading. I love this image of a child being lead through the windy forest by an elder towards a beautiful glorious body of water. This card speaks to me personally with some past experiences, but it’s also just beautiful as well. With this cards, I see a new wind is blowing. I have the opportunity to use it to my advantage. There is something that looks beautiful and great ahead. It is both somewhere I want to go and someplace that is a safe haven. A brave person will help me to this place, but in the end only I have the ability to bring myself there if I so choose. I will have concerns and reservations about going, I worry not about what is ahead, but what remains behind me. It feels very much like the cusp of an adventure, but there’s always that hesitation of going forth into the unknown.

    The partner card is the beautiful Justice from the True Black Tarot. It is an ongoing joke between my Tarot pal and myself that Justice really does haunt me in my personal readings. It’s not often though that it appears in my monthly readings. I typically read justice as facts and truth, discerning the “right” choice, answering for wrongs, trying to right a wrong, and accountability. Paired with the rest of this draw, I see this Justice advising that the choice(s) ahead is not easy. Each path has unique sets of challenges that I’ll have to answer for. But its important to strike a balance between my personal goals and ideas and what is necessary to be done. Sometimes things in the past have no good solution and are left unresolved. I may see that as I move forwards, others behind might refuse to come to terms with where I am going. There is an aspect of having to see the truth clearly, how denial will not shelter one from repercussions. It also assures me that things will be righted in the end.

    Now that I’m looking at this from the “birds eye view” as suggested in the seven of cups, I’m going to go ahead and briefly look at the other pairings.

    7 of Cups paired with the Six of Swords: I have many choices; will I stay where I am or will I move forward with this new wave? There is an overall positive, invigorating feeling. I am naturally creative and driven so it makes sense I will go forward, just make sure I’m leaving behind the right things. I also feel the ability to see both above and below the water—lilies that bear flowers need to have roots that connect them to the earth—there is more beneath just a good idea. Be realistic and set realistic goals–with this attitude you can sail beyond the horizon! Be willing to litmus test by going into deeper waters, taking calculated chances.

    And then looking at the III Empress and Justice pairing: I envision the age-old struggle of the heart vs the mind. Having hard truths, yet being able to love despite the reality. I see these two as holding space for both things, you can be just and still profoundly love and care. You can be creative and bring newness into the world and still be truthful and honest. Letting that which does not help you, go. Keeping true to yourself. Holding space for the inner truths and emotions as well as the hard cold outer truths and realities. The heart burning in silence, and the truth winning out. Certainly a powerful and strange juxtaposition.

    I see this month as being a precipice on which I will make a decision of what to do next, an action that will happen either with or without me and it will happen quickly and the window of action is small. It is both exciting but also sad because there are aspects that I need to let go of and dreams and ideas that will die and be left behind. I’ll have internal struggles as well, having the need to balance both my needs and desires as well as facing the reality of situations and needing to act fairly. Geez, lot of stuff! How about you? How is September looking for you?

  • August 2025 Decks

    August 18th, 2025

    Hello and greetings! After an absolute wild and hilarious month of a “D&D” party of decks (maybe one day I’ll share the crazy draw my Tarot friend and I came up with), it’s time to slow down and savor the final (hopefully) month of the hot summer—with decks that encompass the idea of movement! That may sound like an odd theme, but while using my last months decks I found it interesting how the juxtaposition between “action” and “inaction” portrayed in art had on how I felt about an image. So of course I need to look at it more closely in the Tarot world! And I wanted to start with movement, to experiment and explore what this does to a tarot reading.

    I didn’t have a difficult time at all choosing decks for this month’s theme as I tend to be drawn to decks that are, well, not exactly stagnant in their art! I tried to pick some decks that have had very little time on this blog in general, except I had to bring out an old favorite!

    Right to left: The Tarot of the Silicon Dawn, The Whisper of the Stars and Garden Tarot (“Self” edition), Spiritual Cycle Oracle, The Riderless Tarot, the Shadowscapes Tarot (Czech Edition).

    Naturally, all of these decks this month encompass excellent examples of art that portrays movement, but I especially am excited to start learning The Tarot of the Silicon Dawn as it is a deck I have wanted for years and years and only recently was able to snag an affordable used copy! I also have the recently acquired through Kickstarter The Whisper of the Stars and Garden Tarot, which is just drop dead gorgeous and turning out to be an excellent, moderately traditional RWS. The Spiritual Cycle Oracle and The Riderless Tarot I’ve both had and used frequently for quite a while now, but have somehow not ended up the monthly subjects of study (which considering how much I adore The Riderless, is a crime). And of course, the Shadowscapes is the deck that really pulled me into the fascinating world of Tarot and is a deck I still refer to and love for all the motion that is constant in the images.

    So I’ll admit, I had a totally different layout for the cards planned this month, but I first drew this intriguing 2 of Cups from the Silicon Dawn (though, every card from SD is intriguing to me!), followed by these double jumpers from Stars and Garden, and I decided to completely restructure my draw to match this 2 of Cups.

    When I “read” Tarot for myself, I tend to take a fairly Jungian point of view, or point of meditation, and this image of the dark and light figures, the darker one sinking and the lighter one rising, combined with the cups’ contents flowing down and up, not only do I get strong Temperance vibes, but I also see this as a recognition of our “shadow” self often described in Jungian psychology. We need both the “light” and the “dark” self to function and be healthy individuals, but we often struggle to identify the shadow self and thus struggle to integrate it into our understanding of self. From a card that I typically see as making a new, or refreshing a connection with another, to seeing the “true” inner-self is indeed interesting! I also like this notion of how things must go up and down to achieve a balance. It asks perhaps how is my shadow self nourishing or affecting my conscious self, and how shall I nourish my shadow self?

    This concept is further explored with both The Sun (upright) and The Devil (reversed) from the Stars and Garden. Very simplistically (and perhaps a petitio principii fallacy), I might read this as “at your best, you are your best, at your worst, you are your worst”! I certainly think that if the Devil has an “opposite” card, I’d likely pick the Sun, and visa versa. If I think immediately of our Jungian 2 of Cups, I see this as when you are at your best, you can see what you are at your worst, or, of course, the opposite. Speaking personally, I know my best and worse selves certainly coesixt together and some of the things I regret doing or saying tend to happen when I’m feeling “at my best” and I’m most willing to take risks. I can also read this as though I’m enjoying life and living authentically in the sun card, there’s always the undercurrent of my own shortcomings that can change my state of being. Though this is a little bleak, and I like to believe we have agency over how we act towards the outer world. I like how the horse and the child move together across the field of flowers, where as the two people in the devil are stuck, and motionless.

    This card came out sideways, and while I up-righted it, twice the wind from the window flipped it sideways again, so I decided to just leave it that way! This card seems pretty black and white (haha!), you either win or you lose. But, it reminds me of one of my favorite cards in the Tarot, the Five of Swords, which is often a “make or break” card for me when I invest in a new deck. I, typically, read the V of Swords as “the cost of winning.” Sometimes that cost is losing a lot before you gain the skills to win. Sometimes is means losing something precious because of winning, or in the attempt to win. It’s important to decide if the risk of wining and the sustained losses that go with it are worth the win. Or, in another way, do the ends justify the means? It also makes me think what in my life am I pursuing to “win”? What are the risks associated with that? What happens if I lose? I see the “win” side is next to my previously drawn cards—I think being honest with one’s self is always a win!

    Hmm, and interesting set of three cards! On the far right is the Shadowscapes Knight of Pentacles, the card of “slow and steady wins the race,” unwavering diligence, and methodical work–certainly the most contemplative of the otherwise rash knights! This may be the year of the Knight of Pentacles seeing as I keep getting him. In the sense of movement, it seems like the wyrm he rides is looping back on itself though he looks forwards at his end goal—in what ways are the motions I’m taking not helping me progress? It also makes me think of X The Wheel of Fortune major card seeing as it speaks of a wheel of cycles the human experiences in their life.

    Its interesting the Knight of Pentacles is paired with the VII of Pentacles (see how the golden apples look like they’ve rolled right down the hill into the center of the knights woodland wyrm?) a card of steady work and application of skill, juxtaposed with the short fused but sharp minded Page of Swords, whose ready for action. If we think back to the 2 of Cups and ask in what ways does these two things exist even if at first look they seem opposite, we can say that the attentive practice of skill is juxtaposed with the new sharp ideas that are different from what you’ve already been doing. It can look threatening when there’s something new, and especially (given its a Page) when that concept is untested. But there is no motive to practice and get good at a skill if there wasn’t that initial spark.

    The three together with the “Lose” side of the oracle, I see as a desire to make motion forward but that motion needing room for a new spark to ignite new ways of thinking and ideas! If those new things are repressed there’s no wining that endless grid!

    All together, I see this as a reading of the ability to take two paths; one that seems at first glace rather hedonistic, but is really the path of staying true to yourself (your whole self), while the other has an inner argument of the best way to go about things where there’s already established “way things should be” process. Unfortunately this is a path that doesn’t seem to want to progress! Perhaps I should ask myself what ways am I being dishonest with myself that is preventing me from progressing?

    Hmm, a very interesting introspective month! What do the cards say for you these days?

  • Deck Review: The Mary-El Tarot

    July 25th, 2025

    A beautiful and terrifying deck. Acquired 2020, 2nd Edition

    You can see in the above image the printing of the backs is quite poor and inconsistent, but the stunning art makes up for the frustrating card stock and print quality.

    *Obligatory Nudity Warning! This is the Mary-El, please be warned there is lots of full frontal nudity in this deck. Also please be aware that there are some triggering images in this deck as well, so do proceed with caution.

    Before I get into the review, I want to make an important note: I use my decks thoroughly before writing a review. Typically I will only review a deck after a couple years of using it, and with no less than fifty full blown spreads under my belt with that particular deck. I find that this allows me the time to really understand a deck so I can review it beyond my first stage of loving the art and concepts. Almost always at that stage I feel very comfortable picking up that deck, even if I don’t particularly adore it like I might others. That is not the case for The Mary El. While I have used it extensively, I still find this deck eludes me. It is like a shapeshifter in hand. My emotional connection to the cards changes so rapidly depending on what is going on in my life and the context of my draw that I really haven’t learned the deck inside and out like I have many many others that have been in my collection this long. So! Please keep this in mind while reading this review! Thanks for being here!

    Overall: 7/10 The Unbridled Shadow deck. First, let me say that the art in this deck is just plain stunning. In my collection, I consider this deck the counter part to The Witches’ Wisdom Tarot, partly because they have similar vibes, but I also purchased them at the same time as I was looking to expand my Tarot knowledge. Well, it took me over three years before I finally really dug into this deck and studied it intensively. This is hardly a Tarot deck that follows a traditional art structure, but it goes WAY above and beyond incorporating a plethora of esoterica related to the Thoth system, but also the Marseilles and RWS. It is so diverse in its choices of symbology that I find this deck absolutely needs of the book. Like the Witches’ Wisdom Tarot, this is a deck that follows its own drum and I typically use it as a more meditative deck, or at least I’m only using it when I have a LOT of time on hand to do extra reading and thinking!

    There are many style of art showcased in this deck! We have these very balanced, Art Deco feeling cards with bold geometric shapes but also have a very Meso-America art feel as well, or perhaps Ancient Egypt or…

    I personally feel like The Mary-El somehow manages to be both a very primal but also intellectual deck. Because of the diversity of people and myths and symbolism in this deck, it has a very strong Jungian, collective unconsciousness vibe to it. I think Benebell Wen on her blog does a good summation: “You’ll find strong Qabalistic influences in her design, astrology in the courts, Rosicrucianism, and Hermetic philosophy.” And due to these heavy references, this is a deck that very easily gets lost in the sauce.

    Some cards feel hyper-realistic in their imagery. Look at how you can tell the age of the person so clearly!

    Card Quality: 1/5 Honestly if the artwork wasn’t stellar, these would have gone back. They have been plagued since production at Hay House with poor card quality as seen in the reviews. The card stock is fine on mine, but the printing is atrocious. The backs are either scratched, dotted with missing ink, or the tone is off half way through the card. My copy’s backs really suffer which is a crying shame since the double ouroboros of colored snakes is lovely. The gilded silver edges are nice, but the cards stuck to each other to begin with. Luckily I read though jumpers primarily so I tolerate these shortcomings.

    A sample of a couple cards that consistently tug at my emotions. These are just a few cards of many in this deck that have seesawed between positive and negative connotations for me personally in the past five years.

    Readability: 2/5, not due to poor design or choice of symbolism, but because this is definitely an advanced reader that needs the book! This was my first Thoth deck and I would NOT recommend this as a first Thoth deck! But…it’s not a purist Thoth deck; there is traces of Marseilles and RWS in the cards just to keep you on your toes! It is not easy at all to dissect meaning from the gorgeous images, being it is non-traditional for a Thoth. BUT the art is very provocative, and at times upsetting, so one will definitely have immediate feelings about the card images. The book that the artist wrote is really great at guiding you in a poetic sense though the image, but it’s not as grounded as I’d personally like and I end up finding my own meaning and sometimes I do not like the meaning. But, it leaves an impression nonetheless. The second edition changed several cards from the first edition, which I think is a shame since the first editions cards were very visceral and shocking, but the general theme is still there. The meaning and it’s accessibility to each person will vary greatly, but this is a good deck to use for shadow work and to meditate upon. I find it really likes to play with other decks as well. My initial impression due to the very realistic images of the human body and the intense emotions some images evoke was to keep this as a personal reader only, but I think for the right person at the right time, and maybe in that magical future where I feel like I really “get” this deck, I’d consider using it to read for select individuals.

    More art styles. I could see this as being a deck used for dream work.

    Art: 10/5 You either love it or you don’t with this one. Many cards shock, all cards bring about feelings, but there isn’t a single card that tells you how to feel. There is a mastery of ambiguity in the art that can change how you feel spread to spread, and day to day about the images. Also, each card seems to stand alone in itself. The “style” of the art varies dramatically from card to card, though each feels incredibly purposeful. Only after using this and continuing to be bamboozled by it for years have I finally realized that there is artistic discord, but it somehow is still cohesive as a whole.

    Favorite Card: There more than I can count. But, I have a particular draw to the Two of Cups, and The Hermit.

    Least Favorite Card: I don’t really have any cards I dislike, but I have plenty of cards that give me feelings of unease! Sometimes they were cards I liked yesterday!

    Card I Identify As: Five of Cups

    The deck Identifies me as: Queen of Swords

    The radest 10s in any Tarot deck. The four horseman of the apocalypse.

    Boxes it Checks: Dark, Shadow, vivid colors, esoteric, artistic, unconscious, unsettling, wild, Thoth

    Season: Summer–a burning day with sultry nights

    Similar Decks: there really isn’t anything quite like The Mary-El on the market that has the same complexity, but some similar vibes are The El Goliath Tarot, The WTNV Hayworth Tarot, The Bloodmoon Tarot, Somina Tarot, Goetia Tarot, The Lost Hollow Tarot, The Spirit Keeper’s Tarot, Tarot of the Imagination

  • July 2025 Decks

    July 13th, 2025

    I typically write out the titles of the decks, but I think they are pretty clear in the picture this month!

    It’s past time to return to the fun game my Tarot pal and I have invented–the monthly Tarot D&D party! We did this in the spring and wanted to revisit it in the summer seeing as we had such a great time. The idea is we assign a number to the different basic twelve classes, and roll a dice to determine what our party looks like. Then we choose decks that exemplify that class and will pair in interesting ways with our other decks. My Tarot partner is an avid D&D player, but I don’t play, so take what I say about D&D with a grain of salt.

    This month in our “party” we ended up getting the Druid, the Warlock, the Barbarian, the Ranger, and the Rogue. Let me show you what I chose!

    Of course for a Druid one needs a nature-first deck, and while I have A LOT of nature decks, I wanted one that was balanced in feeling, neither too soft nor too hard. My much anticipated Kickstarter rewards for The Children of Ostara arrived on July first and it is the perfect match! So it was meant to be.

    Typically, before using a deck in a formal draw, I at least shuffle a deck and do an introductory five card draw. But, with TCOOT I did not have the time and I leapt in with a coarse shuffle and out popped one of the extra cards from the gold edition, “The Below.” For context, the second extra card is “The Above” (you know, “as above, so below”?). Right to the point, huh? I guess I don’t expect anything less when created by Xia Hunt. To start off we’re going deep. It’s time to explore things that are largely unseen and unrecognized, but are crucial to the world’s beating heart. It’s these things that will provide shelter and nourishment for your and your loved ones. Connecting to nature is critical.

    It was explained to me that the Warlock class is typified by having their magic powers given to them by a powerful, not always kind, being and that there is an expected payment for these powers and strings attached. This is very ominous to me. We talked about a situation where a warlock thinks they are doing one thing but there’s something unseen behind the actions. The perfect deck came to mind, well, two decks, the Exile Tarots, Silent and Awaken. What is seen and what is unseen. I’ve had these decks for a while and my first few times using them it was rather a shocking and emotional experience, seeing as I was expecting something sweet like the Monsoon Tarot and got something very different, so I’ve held off from using them extensively but it feels right this month! I’m excited to see what comes of this!

    From Silent I drew the rather scary Wheel of Fortune. I love the book that goes with these two decks—while it’s RWS, it is a very different take on the system and the more I’ve been using these two together, the more these decks are becoming some of my favorites! For this card, I understand that something unseen is that the absurd and the profound and the beautiful all simultaneously exist all at once, at the same time. It can be easy to think the world is complete garbage with all the wrong things happening everyday because that’s where your attention is focused, but remember to stop and look around! There is plenty more to absorb! And this will give you fuel and hope.

    From Awaken I drew the contemplative Queen of Cups. There are many things happening around her—a rain storm, a rainbow, a sunset/sunrise, but she lets all these things wash over her and focuses at the tasks at hand which is protecting her cup and her raven and its eggs! I will need to recognize the roller coaster of emotion and that they exits also together all at once. I need to take action to protect that which is most important to me but also remember to take the time to “fill my cup.”

    Last time we did this monthly deck party we had a Barbarian and we rolled the Barbarian again for this month. I had several Tarot decks I was ready to choose, but I wanted to see if by chance I had an oracle deck to fit the class. Well, I certainly had one that fits a barbaric vibe! While I’ve had this one for a while, I don’t think its been on this blog, so here’s the absolutely hard core Zammer Twins Oracle.

    I feel like I connect with the art in the Zammer, especially since it is so reminiscent of the Trionfi Della Luna Tarot, but this is one of the few cards that eludes me. The guidebook gives a fairly good description, but I wasn’t exactly feeling those vibes, especially considering this is my “Barbarian” deck, so I’m riffing on my own for this one. When I hear the term “Red Queen” I think of Alice and Wonderland and the Queen of Hearts and how brutal she is and how she runs a (whimsical) tight ship. I love in this card how our queen has both a red arm and a white arm. She know the balance that must be struck between passivity and activity. From this card, I get the saying “float like a butterfly, sting like a bee.” While I must go forth with confidence and calm I also must harbor cold ruthlessness. That which does not spark joy must go! I need to be creative and resourceful in utilizing all my tools, and I got to keep my eyes on the prize even if it feels like I’m not heading in that direction.

    The Ranger also calls for a nature oriented deck, but one that requires a sense of navigation. I was told a difference between the druid and the ranger is the druid sees the nature as the end focus while the ranger is concerned with the human surviving in nature. The Tarot Landscapes seems absolutely perfect for such a role, and I love how most of the cards take a bit of a “birds-eye view” over the scene!

    I pulled the exquisitely tranquil 6 of Swords from the TL. A kingfisher looks on at a placid sailboat in a calm sunny harbor. I get major “enjoy the journey when you have the calm waters” feeling. When you have an easy route ahead, don’t overly complicate things. You are constantly moving so you may not have calm seas tomorrow. Take a higher view. Enjoy what you can today, Carpe Diem. You can choose what boats you board.

    Finally the Rogue. I definitely feel like I have decks that are a bit hard, a bit stealthy in how the deliver readings to you, but despite going through my entire collection to chose another, my first gut feeling was the Lubanko, and I could not convince myself to use another deck.

    The Lubanko gave me the very shadowy King of Swords. He reminds me of a character from a book series that definitely embodies the Rogue type (Achmed from The Symphony of Ages series, who, lets be honest, was the only character worth reading the darn series for). A Rogue King of Swords feels a bit like an oxymoron as well, but here we are. From this strange dichotomy, I see measuring my actions carefully. The best sword is one that is sharp from sparring use. Truth is sharp and needs to be delivered carefully. This king only steps out of the shadows when needed.

    Okay then! Lets check out the puzzling whole:

    I see this as a month of finding inner harmony in order to obtain outer structure and calm. In nearly all these cards we see things pausing before action, or a moment of calm. This draw taps into both emotional and logical feelings and making them work cohesively together. I am really enjoying using these drastically different decks together!

    How about you? What decks are calling to you this month? Do you do any silly thematic deck choices or even Tarot draws?

    V, one of my “helpful” assistants! This past June we unexpectedly had to say goodbye to our youngest cat, who made many appearances in this blog and loved playing with the cards with me. Sadie, you are sorely missed.

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